Lady Midnight by Cassandra Clare
This novel begins a new series in Clare’s Shadowhunter universe. Previous related books were the Mortal Instruments series and the steampunk-inspired Infernal Devices trilogy. With the exception of Clare’s messy first book, City of Bones, her novels are well-written in a way that’s typical of the YA fantasy genre. It’s definitely light reading, but I find this universe fun and rich, imaginative and humorous. I think Clare has been improving with more writing experience. Her characters, especially the male leads, get stronger and less annoying each time she creates a new set of them. And the characters from previous series (yes, even the one set in the 1800s) make cameo appearances, as the universe grows in complexity and population.
This story begins five years after the end of City of Heavenly Fire and concentrates on the Los Angeles institute, where young Shadowhunters are still dealing with the fallout from the Mortal War. Julian has responsibility for his younger siblings since his father’s death. Emma is still dealing with her parents’ murder and nurtures revenge fantasies. These two are parabatai–a ritualized relationship for Shadowhunter best friends that enables them to offer each other extra protection and support. But the problem is that they’re falling in love, and parabatai are supposed to be strictly platonic. That’s the source of the book’s sexual tension and angst. The action starts when some fairies show up at the institute and ask Emma and Julian to solve a series of murders that she thinks might be related to those of her parents.
The sequel, Lord of Shadows, is coming out later this year.